Meet Me Raw dresses corporate life in raw meat. A businessman shows up to the meeting in a suit stitched together from sausages, a tie and sunglasses cut from marbled steak, and a briefcase that looks like a single slab of prime beef. Out on an endless lawn under a deep blue sky, he balances the briefcase on his feet in a handstand and bends into impossible poses, as if performance itself were part of the job. The series plays with the language of work, the meat market, the daily grind, being treated like a piece of meat, and turns the uniform of ambition into something raw, fleshy and absurdly vulnerable.
Challenge
Continuity meant keeping one character intact through extreme poses. The sausage suit had to keep its vertical rows, pale pink tone and glossy casing whether upright, upside down or folded in half, and the marbling on the briefcase, tie and glasses had to match from frame to frame. The model’s face, skin and the hard light against blue and green had to stay consistent, even in the tight, high-contrast close-up.
The sausage suit drifted toward a quilted puffer jacket or pink satin, the briefcase into red leather with a meat print, and the steak glasses lost their fat edges and turned into ordinary red frames. Each piece had to be corrected again and again until it read as raw meat that could still be worn.
Every image was created without reference or inspiration photos. The idea took shape on paper first, then Soul 2.0 turned pure text prompts into the model, the suit and the props, with Claude as a partner for refining the prompts. Nano Banana Pro was used to retouch the casings and marbling, and Adobe Lightroom set the final contrast between pink, red, blue and green.
